
The shot
The Animation Guild, IATSE Local 839, maintains a standing AI Committee whose mandate, per the guild's own committees page, retrieved 16 September 2026, is to 'track AI usage in the industry, interpret the contract language regarding AI in members' favor, and prepare for future developments in the technology.' The committee is chaired by Roma Murphy and Sam Tung. A New York Magazine feature published in June 2025 interviewed both chairs, along with a concept artist and a SAG-AFTRA negotiator, about how closely that tracking mandate matches what working artists report happening on real productions.
What the documents show
Murphy, identified in Vulture's reporting as the AI Committee's co-chair, describes hearing of 'rogue actors' at studios: lower-level staff under deadline pressure asking workers to use AI tools without the formal clearance process the guild's contract requires. The magazine also cites an informal poll run by concept artist Reid Southen, in which nearly half of about 800 professional respondents said they had been asked to use AI as reference material or to touch up finished work, a figure Vulture reports but did not independently audit. Separately, SAG-AFTRA's chief negotiator, Duncan Crabtree-Ireland, told the magazine he had observed studios setting up internal ethics boards and legal reviews beyond their contractual obligations, describing current use as concentrated in editing and cleanup rather than replacing performers. This mixes a guild's own institutional claim, an unaudited artist survey, and a union official's stated observation, three different evidentiary weights.
The workflow
The guild's contract, as Vulture describes it, allows a studio to use AI only through a defined process requiring a meeting between the animator and the studio and an opportunity for the animator to propose alternatives; the reporting states that, to the guild's knowledge, no such meeting had yet taken place under the current agreement. In practice, per the artists Vulture quotes, AI use has instead surfaced earliest and most informally in pitches, mood boards, and preproduction, stages the guild's process was written to cover but where, per the same sourcing, off-the-record requests have occurred without it.
What the tool does not change
Neither the guild's own page nor the magazine's reporting claims the tracking process has failed structurally; both describe a committee actively meeting and a contract clause that exists on paper. What the reporting adds is a gap between a documented process and self-reported practice, a gap that depends on individual artists choosing to disclose off-the-record requests, since the guild's own page does not claim an independent audit capability.
- Does a guild's contract describe a required process, and is there evidence the process has actually been used?
- Is a cited statistic from an independently run study, or from an informal poll the reporting did not verify?
- Who has an incentive to disclose off-the-record AI use, and who has an incentive to stay quiet about it?
A standing committee and a contract clause are real, documented commitments; whether they are being followed on any specific production is a separate question this pairing of sources cannot settle on its own, and neither document claims that it can.
Sources & reading trail
Quotes AI Committee co-chair Roma Murphy on off-the-record AI requests, cites Reid Southen's informal poll of about 800 artists, and records SAG-AFTRA's Duncan Crabtree-Ireland on studio practice.
Source published: 4 June 2025 · Retrieved: 16 September 2026
The guild's own description of its AI Committee, led by Roma Murphy and Sam Tung, and its stated mandate to track AI usage and interpret contract language.
Source published: Not established · Retrieved: 16 September 2026
Documentation, agreements and rulings establish the note; the workflow reading is Screen Method editorial analysis. This retrospective draft does not imply the site published on the event date.